After missing the “maybe one more week” and “end of June” deadlines, the latest delay in the Hugo shortlist saga involves the erroneous posting of a reportedly early and incorrect version of the shortlist on the Chengdu Worldcon website, which was subsequently taken down with apologies. Before its removal, the false list was reprinted on File 770 and at Camestros Felapton’s website, where it is still available to view. Several congratulations made the rounds on Twitter before the news broke that the list was not the correct one. While the many missed deadlines that have plagued the Hugo voting process this year are frustrating, they are at least understandable considering the dual-language complexities of putting this year’s Worldcon together. This particular error is inexcusable, even if it was an honest mistake. I hope this erroneous list is at least close to the final one when it is eventually released. I noticed at least one problem with the non-shortlist: the Short Story nominee “Upstart” by Lu Ban is actually a 15000 word novelette in English, and it appears the translation is what is meant to be honored, as the original Chinese-language version was published in 2021 and would not be eligible this year. This may be an example of what I spoke of in my previous post on the shortlist delay, where differences in category requirements in China and the US could have been part of the delay in finalizing the list. I do hope that when the actual list is published, this and other Chinese works, creators, and editors are honored alongside the usual suspects, as this non-list suggests they will be.

One of my favorite SF novels of last year, 36 Streets by T.R. Napper, won the Aurealis award for best SF novel. If you haven’t read it, do so. It’s a cyberpunk thriller set in a Chinese-occupied Hanoi. In the midst of a turf war between rival crime syndicates, gangster Lin Vu is ordered to find a missing game designer responsible for an addictive VR game called Fat Victory, in which the player lives out the American War in Vietnam as an American soldier. The game is doing a serious number on the brains of people who play it, and Lin’s boss suspects the Chinese army is behind its distribution. The novel is almost wall-to-wall action, but still manages a degree of sophistication akin to the best cyberpunk works of the last few decades. The long sequence in which Lin immerses herself in Fat Victory is visceral and memorable.

I’ve only read one other work among the Aurealis finalists – the Garth Nix story from Tor.com – but some of the other novels are available on Amazon and a few of the short works are available online. Definitely pick up 36 Streets, but don’t be afraid to dabble in the other finalists as well. Australian SF isn’t terribly well-publicized here in the U.S. and rarely shows up on the Hugo or Nebula shortlists, but it never hurts to see how the other side of the world dreams.

You can view the full list of Aurealis winners and finalists here.

The Hugo nominating period is coming to a close! In the fiction categories, we can expect the usual dominance from Tor publishing group – especially in the Novel and Novella categories – and several nods from Uncanny Magazine; in recent years both venues have solidified their statuses as the premier tastemakers among the current crop of voters. There are other publishers that do well, of course, and there are always a few dark horses and first timers (“Unknown Number”, anyone?).

There is always some crossover with the Nebula ballot also. A significant number of SFWA members are also Worldcon attendees and, presumably, nominators. Fans also likely do some more reading for the Hugos based on the final Nebula ballot. In 2022, 42% of Hugo fiction finalists were also Nebula finalists in the same categories. In both 2021 and 2020 it was 50%. My predictions for this year put it at 54%, so a bit above the norm.

The x-factor in this year’s awards will of course be the likely surge of Chinese voters from this year’s Chengdu-based Worldcon. How many Chinese voters there are and what works they are planning to nominate is a mystery to me. There is a common misconception that only works published in English in the previous calendar year are eligible, probably owing to the fact that only English language works ever get nominated. In fact, any work in any language can be nominated. The only caveat is that if a work is appearing in English translation for the first time, it is eligible for the year in which the translation appeared, even if it was published in another language in a previous year. So the question is not just “How many votes for Chinese works will there be?” but also whether there will be votes for works eligible for their English translation or for works available only in Chinese, or both. There are several English-translated works of Chinese-language stories eligible for this year’s awards. I will assume from the fact that a few such stories appeared on the “Nominations Below Cutoff” in a couple of categories of last year’s final report that at least some Chinese voters are aware of eligible, English-translated works by Chinese authors. There are also some western authors favored by Chinese fans – like Alastair Reynolds and Robert Reed – who have eligible works, though how available those works currently are to readers overseas is unknown to me. I can’t be certain of the overall impact of Chinese voters on the final nomination tally, so I’m going to play it safe and assume that the established norm will prevail. Of course, it is always a welcome surprise when it does not, so here’s hoping I’m wrong!

A final note: this post is a prediction of what I think will get nominated, not what works I have placed on my ballot. The tastes of the prevailing crowd of nominators has long since diverged from mine and even back in the day when my own tastes were more aligned with the actual results, I had maybe a 15-20% hit rate at best. This year, there is only one story on the list below that I have included on my own ballot this year. When the final ballot is announced, I will do a follow-up column comparing my predictions, and my own ballot, with the actual results. Full reviews of the nominated works will come some time after that.

Best Novel

These are mostly “play it safe” predictions. There are plenty of other novels in play: Sea of Tranquility by Emily St. John Mandel was a huge bestseller and could have enough juice to make the list, like Andy Weir and Susanna Clarke have in recent years. Debut novels from Sequoia Nagamatsu, Ray Nayler, and Sue Lynn Tan are generating a lot of buzz. Aliette de Bodard, T. Kingfisher (Ursula Vernon), Neon Yang, Adrian Tchaikovsky and Naomi Novik all had popular releases this year. A half a dozen others have a shot as well. But if I were a betting man, my money would be on these six books:

Legends & Lattes, by Travis Baldree (Tor)

Despite (or perhaps because of) this novel’s runaway success I was mildly surprised at its Nebula nomination. It’s a more gentle and relaxed fantasy, along the lines of last year’s Hugo darling Light from Uncommon Stars, and a break from the usually more somber and serious-minded works that tend to fill up the Nebula list. It probably would have still landed on this list, regardless. It had that Hugo scent from the start.

The World We Make, by N.K. Jemisin (Orbit)

Jemisin fandom is as firmly established as any among Hugo voters. This novel’s predecessor – 2020’s The City We Became – received 222 votes to easily make the list of 2021 finalists, and while sequels don’t always do as well as the original with voters, Jemisin has already bucked that trend with her Broken Earth Trilogy.

The Spare Man, by Mary Robinette Kowal (Tor)

Kowal has been nominated for best novel three times before, for the first “Glamourist Histories” novel Shades of Milk and Honey, and for two of her Lady Astronaut novels, The Calculating Stars and The Relentless Moon. Her last stand-alone novel Ghost Talkers just missed the cut at 2017 Worldcon. Kowal’s track record, as well as the novel’s popularity with critics and fans alike, would suggest The Spare Man has a very good chance of scoring a nod.

Babel: An Arcane History, by R. F. Kuang (Harper Voyager)

This novel spent seven weeks on the NYT Best Sellers List, and while that is not always an indication of Hugo success, Kuang does have a track record with Worldcon fans. Her debut novel The Poppy War finished just below the cutoff in 2019, and the entire Poppy War Trilogy was a finalist for Best Series in 2021. Coupled with its Nebula success I would count this as a very likely nomination.

Nona the Ninth, by Tamsyn Muir (tordotcom)

The two previous novels in Muir’s Locked Tomb series received nominations, and while there was a considerable drop between the total votes between Ninths Gideon and Harrow, there was still plenty of daylight between Harrow and the other works down list. It doesn’t appear as if Locked Tomb fans have lost enthusiasm for the series, so Nona’s success seems similarly assured. Also a Nebula nominee.

The Kaiju Preservation Society, by John Scalzi (Tor)

Scalzi has the longest track record of Hugo success of any of the authors mentioned on this list, dating back to 2006. Many other authors popular with that era of fandom have since fallen by the wayside while Scalzi’s stock has remained roughly the same, most recently scoring nods for Best Novel (The Collapsing Empire) in 2018 and Best Series (The Interdependency) in 2021. From what I’ve seen, fan response has been very enthusiastic for his latest stand-alone novel. I think it has a strong chance of being among the finalists.

Best Novella

This category has essentially become a marketing arm of tordotcom publishing. In the last five years, a whopping 80% of Best Novella nominees have been from tordotcom. In the last two years it’s 100%. It’s not hard to predict this trend will continue. The best chance any non-tordotcom novella has to upset is probably Tread of Angels by Rebecca Roanhorse from Saga Press. Ogres by Adrian Tchaikovsky (Solaris) and James S.A. Corey’s The Sins of our Fathers (Orbit) have an outside chance to sneak in. Chances are though, should any of the following six favorites falter, another tordotcom novella (such as Kelly Robson’s Nebula-nominated High Times in the Low Parliament) will be ready, hydra-like, to spring forth its place.

A Prayer for the Crown-Shy, by Becky Chambers (tordotcom)

Much like Thanos, Becky Chambers is inevitable and can seemingly conjure up a Hugo nomination with a snap of her fingers. There are none powerful enough to stop her, nor brave enough to try.

A Mirror Mended, by Alix E. Harrow (tordorcom)

The sequel to her 2022 nominee A Spindle Splintered. This is a safe choice to be sure, but still a likely one.

What Moves the Dead, by T. Kingfisher (Tor Nightfire)

T. Kingfisher/Ursula Vernon has proved to be among the most consistently popular authors among Hugo voters for the last decade. That is likely to continue.

Where the Drowned Girls Go, by Seanan McGuire (tordotcom)

McGuire’s fans have have been a constant and unwavering presence among Hugo voters. Her Wayward Children stories, which earned her a Best Series win last year (the vote wasn’t even close), enjoy wide popularity beyond just her hardcore supporters and will continue to rack up nominations as long as she keeps writing them.

Even Though I Knew the End, by C.L. Polk (tordotcom)

Polk finally broke through and grabbed a Best Series nomination for their Kingston Cycle last year, after seeing several works garner some votes but fall below the cutoff. A recent Nebula nomination for this work has certainly bolstered its visibility, and likely also its readership.

Into the Riverlands, by Nghi Vo (tordotcom)

The first novella in her Singing Hills cycle, The Empress of Salt and Fortune, won the Hugo in this category in 2021. This third book should garner enough support to at least be a finalist.

Best Novelette

The pool of works is larger for novelette than for novella, making it more difficult to handicap. These are my best informed guesses.

“If You Find Yourself Speaking to God, Address God with the Informal You“, by John Chu (Uncanny Magazine May/June 2022)

Chu hasn’t been nominated for a Hugo since his 2014 win for “The Water that Falls on You from Nowhere”, but his tor.com story “Beyond the El” cameoed below the cutoff in 2020. This new novelette has the advantage of a Nebula nomination and its publication in the hallowed pages of SFF’s current alpha-zine, Uncanny.

“Two Hands, Wrapped in Gold”, by S. B. Divya (Uncanny Magazine, May/June 2022)

Divya has been nominated as Short Form Editor, and her novel Machinehood snagged enough votes to show up on the Nominations Below Cutoff list last year. Bolstered by a Nebula nomination and Uncanny’s strong readership among Hugo voters, this one should make the cut.

“The Six Deaths of the Saint”, by Alix E. Harrow (Amazon Original Stories)

I’ll give Harrow another tip of the hat here, based on her loyal Hugo fan base.

“In Mercy, Rain”, by Seanan McGuire (tor.com 7/18/2022)

Another nod for McGuire’s popular Wayward Children series.

“A Dream of Electric Mothers”, by Wole Talabi (Africa Risen; tordotcom)

It’s tough – but not impossible – for anthology stories to crack the list, as the click-ready availability of the free-zines give their stories a built-in advantage. The buzz around this author (who has a novel out later this year) is growing, the story was nominated for a Nebula, and it was just reprinted on tor.com, giving plenty of readers time to peruse it before their ballots are due.

“The Difference Between Love and Time”, Catherynne M. Valente (Someone in Time; Rebellion)

Another anthology story, but the fact that it was reprinted on tor.com last November levels the playing field, and Valente’s past success scoring nominations in the fiction categories suggest there is a reasonable chance her fans will show up for this one.

Best Short Story

Even more difficult to predict than novelette, but there are a couple I think are pretty sure bets.

“Destiny Delayed”, by Oghenechovwe Donald Ekpeki (Asimov’s May/June 2022)

This author is very hip with Hugo voters right now. Even though current trends in Hugo voting favor the free-zines over the classic digests like Asimov’s, this story was recently reprinted in the January issue of Apex magazine and is now only a quick click away. Ekpeki’s Hugo-nominated novelette “O2 Arena” was also reprinted in Apex just prior to its nomination last year, and went on to become one of the site’s all time most-viewed pages. I would suggest that a similar destiny (pun intended) awaits his new story.

“Give Me English”, by Ai Jiang (F&SF May/June 2022)

Ai Jiang is a relatively new writer with a lot of buzz surrounding her and this story, buzz that recently culminated in a Nebula nomination. This story, as far as I can see, is not available for free on the internet, which will hurt its chances. There may be a caveat to this handicap, however. Last year, Lauren Ring’s F&SF novelette “(emet)” received a Nebula nod, and nearly scored a Hugo nomination as well – finishing just two places below the cutoff despite not being available to read on the web. Perhaps this suggests a higher readership of F&SF among the current pool of nominators than with the other famous digests, Asimov’s and Analog. If successful this would be the first nod for F&SF since they nabbed three in 2012.

“Bonsai Starships”, by Yoon Ha Lee (Beneath Ceaseless Skies 2/10/22)

Yoon Ha Lee has worked Hugo magic with these science fantasy tales for BCS before, with a nomination for “The Mermaid Astronaut” in 2021, and falling just short with “The Starship and the Temple Cat” in 2019.

“Skeleton Song”, by Seanan McGuire (tor.com 10/26/22)

It’s a Wayward Children hat trick for McGuire this year.

“Rabbit Test”, by Samantha Mills (Uncanny Magazine November/December 2022)

A heady concoction of hot-button politics, a Nebula nom, and publication in Uncanny ups the odds that this one will be a finalist.

“D.I.Y” by John Wiswell (tor.com 8/24/22)

Another Nebula nominee, but Wiswell has gathered a significant Hugo following of his own these last few years.